As a rule, I'm not a fan of the short story genre. Character development, intricate plot, and descriptive setting are the best three things a book has to offer, in my opinion. Short stories rarely offer any of these. They are often too short for characters to develop, an intricate plot to unfold, or the setting to be described. Imagine my surprise when I found myself loving Lippman's collection.
The why is as simple as this: Lippman manages to include all three of the characteristics I deem necessary for a story to be good. In each short story. That's right -- not in the collection. In each story. She pens characters with ridiculous skill, moving them from innocents to murderers before our very eyes. Plot is also (somehow) easily developed in mere pages. Likewise, Lippman manages to illustrate a strong sense of setting in a minimal word count. Rather than staying in her usual neighborhood of Baltimore (although, make no mistake about it -- she includes a lot of Baltimore), Lippman also branches out and visits New Orleans, Dublin, and other cities.
Be forewarned, however, that Hardly Knew Her
Until a new novel is released, you can get your fix of Laura Lippman's writing on her website, especially in the "Letters from Laura" archives. Better yet, get more up-to-date posts on her Journalscape, The Memory Project. (*Note: You do not have to log in to view public posts.)
No comments:
Post a Comment